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Sie beobachten eine komplette Beschreibung The Day After Tomorrow unten:
- Originaltitel : The Day After Tomorrow
- Filmtitel in Ihrem Land : The Day After Tomorrow
- Jahr der Film : 2004
- Genres des Films : Action, Abenteuer, Science Fiction, Thriller,
- Status-Film : Released
- Veröffentlichungsdatum : 2004-05-26
- Die Unternehmen der Film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder Film : United States of America,
- Sprache des Films : English, 日本語, Français, العربية, Español,
- Durasi Of film : 124 Min
- Stimme durchschnittlich : 6.2
- Youtube ID des Films : Ze8Gshk53Y8
- Übersetzung von Film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,
- Filmbesetzung :Dennis Quaid (Jack Hall), Dash Mihok (Jason Evans), John Maclaren (Veteran Scientist), Glenn Plummer (Luther), Russian Astronaut), Arjay Smith (Brian Parks), Emmy Rossum (Laura Chapman), Kenneth Welsh (Vice President Becker), Christopher Britton (Vorsteen), Carl Alacchi (Venezuelan Delegate), Christian Tessier (Aaron), Tamlyn Tomita (Janet Tokada), Ian Holm (Terry Rapson), Nassim Sharara (Saudi Delegate), Michel 'Gish' Abou-Samah (Saudi Translator), Vitali Makarov (Yuri, Richard Zeman (Flight Director), Austin Nichols (J.D.), Sasha Roiz (Parker), Perry King (President Blake), Jay O. Sanders (Frank Harris), Mimi Kuzyk (Secretary of State), Russell Yuen (Hideki, Sela Ward (Dr. Lucy Hall), Japanese Astronaut), Nestor Serrano (Gomez), Adrian Lester (Simon), Kenneth Moskow (Bob), Jake Gyllenhaal (Sam Hall)
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The Day After Tomorrow Am besten film von ausgeschieden Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, das kommt mit a Beschreibung des Films "Lange prognostiziert, setzen sie plötzlich innerhalb kürzester Zeit weltweit ein, gewaltige Naturereignisse, die eine neue Eiszeit einläuten: Hagelstürme in Tokio, Schneefälle in Indien, Tornados über Los Angeles. Endlich reagiert auch die Regierung und evakuiert alle US-Bürger der südlichen Staaten nach Mexiko, während man mangels Zeit alle anderen dem sicheren Kältetod überlässt. Einzig Klimaforscher Jack Hall kämpft sich durch Blitzeis und Schnee nach Norden, denn sein Sohn sitzt in der New Yorker Bibliothek fest.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Klangqualität und am besten mit Schauspielern.
Sie Zeit sind beobachten : The Day After Tomorrow von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, in Top-Qualität in welchem sein sollte, freigegeben in diesem Land. Kauf Ihrer Favoriten sofort movie, in Richtung der drücken einer Schalter! ein uneingeschränkt über alle Bandbreite und Inhalte zu streamen, zu beobachten was Sie benötigen, wenn du willst!
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Visual Effects Producer : Mike Chambers, Visual Effects Supervisor : Jerry Spivack, Set Designer : Frédéric Amblard, Storyboard : Timothy Burgard, Software Engineer : Chamberlain Fong, Negative Cutter : Gary Burritt, Loader : Amelie Duceppe, Author : Jeffrey Nachmanoff, Visual Effects Art Director : Alexander Laurant, Digital Intermediate : Lorene Simpson, Production Sound Mixer : Douglas J. Schulman, Visual Effects Supervisor : Rocco Passionino, ADR & Dubbing : Derek Casari, Makeup Artist : Sharon Ilson, First Assistant Director : Kim H. Winther, Makeup Effects : Sylvania Yau, Grip : Joost Clerinx, Transportation Coordinator : Daniel Matthews, Art Department Assistant : Una Martin, Gaffer : Logan Leabo, Hairstylist : Sandy DeBlasio, Unit Manager : Paul Boutin, Camera Technician : Steven J. Winslow, Painter : Gloria Ciraolo, Makeup Effects : Adrien Morot, Visual Effects Producer : Petra Holtorf, Production Manager : Daniel Auclair, Editor : David Brenner, Visual Effects Editor : Michael Cavanaugh, Driver : Chris Haynes, Stunt Coordinator : Branko Racki, Set Designer : Alex Touikan, CG Supervisor : Andrew Waisler, Boom Operator : Timothy P. Salmon, Transportation Captain : John Bober, Makeup Effects : C.J. Goldman, Techno Crane Operator : Richard Boucher, CG Supervisor : David Prescott, Dialogue Editor : Daniel S. Irwin, CG Supervisor : Sean Andrew Faden, Lighting Technician : Stéphane Byl, Construction Coordinator : Bruce Di Valerio, Set Medic : Jean Marchand, Casting : April Webster, Special Effects : Neil Corbould, Set Decoration : Victor J. Zolfo, Digital Effects Supervisor : Bryan Grill, Art Direction : Martin Gendron, Set Designer : Hugo Santiago, First Assistant Editor : Quincy Z. Gunderson, Director of Photography : Ueli Steiger, Key Hair Stylist : Janis Clark, Set Designer : Vincent Gingras-Liberali, Construction Coordinator : Alain Brochu, Unit Production Manager : Joe Dishner, Location Manager : Kenneth E. Fix, Carpenter : Jane Kilkenny, Producer : Mark Gordon, Color Timer : Michael Eaves, Music Editor : Emanuele Arnone, Post Production Assistant : Jeff Schweikart, Steadicam Operator : Francois Archambault, Sculptor : Andrew Semple, Script Supervisor : Sophie Boyer, Art Direction : Tom Reta, Post Production Supervisor : Jeffrey Harlacker, First Assistant Sound Editor : Victor Ray Ennis, Casting Associate : Scott David, Visual Effects Coordinator : Erica Headley, Visual Effects Supervisor : Remo Balcells, Executive Producer : Ute Emmerich, Makeup Artist : Elisabeth Fry, Art Direction : Michele Laliberte, Visual Effects : Diane Macke, Visual Effects Supervisor : Greg Strause, Lighting Artist : David B. Menkes, Finance : Linda Strause, Art Direction : Réal Proulx, Supervising Sound Editor : Larry Kemp, Production Design : Barry Chusid, Casting : Randi Wells, Hairstylist : Réjean Forget, Rigging Grip : Richard Complaisance, Associate Producer : Lawrence Inglee, First Assistant Editor : Robert Berman, Set Designer : Stephanie Gilliam, Visual Effects Producer : Michael Meagher, Best Boy Electric : Edison Jackson, Dialogue Editor : James Matheny, Special Effects Supervisor : Louis Craig, Executive In Charge Of Production : Vanessa R. Jordan, Craft Service : Chris Winn, Property Master : Denis Hamel, Set Designer : Caroline Alder, Rigging Gaffer : Gilles Fortier, Key Costumer : Valerie T. O'Brien, 3D Artist : Zack Judson, Set Costumer : Arlynn Abseck, Electrician : Paul Postal, Original Music Composer : Harald Kloser, Construction Coordinator : Rejean Brochu, Set Designer : Karl J. Martin, Set Decoration Buyer : Stacy Weddington, Camera Operator : Georgia Packard, Systems Administrators & Support : Joe Ardent, Second Assistant Director : Erik Ajduk, Transportation Co-Captain : Spiro Tsovras, Key Makeup Artist : Kathryn Casault, 3D Animator : Jeremy F. Butler, Costume Supervisor : Kenn Smiley, Casting : Andrea Kenyon, Sound Designer : Randy Kelley, Animation Supervisor : Danny Gordon Taylor, Visual Effects : Michael Leung, Utility Sound : Schavaria Reeves, Stunts : Marcello Bezina, Set Decoration : Paul Hotte, Scenic Artist : Donald Beaulieu, Construction Foreman : Eric Lafrance, Visual Effects Supervisor : Greg Anderson, Casting Assistant : Bryan Riley, Sound Recordist : Jon S. Trebilcock, Video Assist Operator : Julie Garceau, Assistant Production Coordinator : Guylaine Boucher, Visual Effects Producer : Jody Echegaray, Visual Effects Supervisor : Conny Fauser, Sound Mixer : David O. Daniel, Camera Operator : Gary L. Camp, Visual Effects Supervisor : Karen E. Goulekas, Makeup Effects : George Tucci, Pilot : Al Cerullo, Script Supervisor : Kim Berner, Sound Designer : Ann Scibelli, Assistant Art Director : Camille Parent, Set Designer : Steve Cooper, Production Illustrator : Michael Meier, 24 Frame Playback : Marie-Pierre Tétreault, Production Accountant : Manon Lapointe, Key Grip : Marc Andrus, Sound Recordist : Dennis Rogers, I/O Supervisor : Ryan Beadle, Still Photographer : Takashi Seida, Third Assistant Director : Paul Drouin, Set Dresser : Louis Dandonneau, Unit Publicist : Joe Everett, Dolly Grip : Alain Masse, Second Unit Cinematographer : Tom Yatsko, Modeling : Yoshiya Yamada, Music Editor : Bob Beher, Orchestrator : Frank Bennett, Creature Technical Director : Vijay Myneni, Technical Supervisor : Irfan Celik, Stunt Coordinator : Charlie Brewer, Camera Operator : Alfonso Maiorana, Location Manager : Céline Daignault, Property Master : Claire Alary, Utility Stunts : Nick Brandon, Chief Lighting Technician : Jean Courteau, Production Coordinator : Danielle Boucher, Sound Recordist : Tim Gomillion, Sound Designer : Alan Rankin, Producer : Roland Emmerich, Foley : Glenn T. Morgan, Roto Supervisor : Stephanie Taubert, Sound Effects Editor : Michael Kamper, Visual Effects Editor : Nicolas Anastassiou, Costume Coordinator : Lyse Pomerleau, Stand In : Martin Brisebois, Sound Recordist : Chris Walmer, First Assistant Camera : Michel Bernier, Helicopter Camera : Steve Hertler, Leadman : David M. Milstien, Camera Operator : Peter Hutchison, Rigging Gaffer : Frank Dorowsky, Local Casting : Cate Praggastis, Conductor : Blake Neely, Camera Operator : Bill O'Drobinak, 3D Supervisor : Rina Strause, Steadicam Operator : Gary L. Camp, Costume Supervisor : Robert Q. Mathews, Propmaker : Patrice Jacques, Visual Effects Supervisor : Colin Strause, Sequence Leads : Jason Iversen, Visual Effects : Kristen Branan, Executive Producer : Stephanie Germain, Costume Design : Renée April, CG Supervisor : Hans Uhlig, Executive Visual Effects Producer : Marc Sadeghi, Visual Effects Producer : Raoul Bolognini, ADR Editor : Kerry Dean Williams, Co-Producer : Thomas M. Hammel, Assistant Property Master : Eric Bardin, Author : Roland Emmerich, Location Manager : Lily Flaschner, Second Unit Cinematographer : Anna Foerster, Director : Roland Emmerich, Art Direction : Gerald Sullivan, Visual Effects Producer : Casey Conroy, Visual Effects Supervisor : Chris Watts, Lighting Supervisor : Chris Wells, Digital Producer : Andra Bard, Associate Producer : Kim H. Winther, Transportation Coordinator : Javier Gunther, Camera Operator : Eric Goethals, CG Supervisor : Dagan Potter, Supervising Sound Editor : Mark P. Stoeckinger, Sound Engineer : John Bires, Art Department Coordinator : Nancy A. King, Visual Effects Producer : Todd Isroelit, Visual Effects Supervisor : Richard Britton, Visual Effects Supervisor : Ian Hunter, Camera Loader : Charlie Newberry, Pre-Visualization Supervisor : Daniel Fort, Musician : Maria Newman, Construction Coordinator : Michel Brochu, Digital Compositors : Sean Apple, Set Production Assistant : Mariana Acuña Acosta, Line Producer : Tavin Marin Titus, Sound Re-Recording Mixer : Doug Hemphill, Camera Operator : Francois Archambault, Supervising Art Director : Claude Paré, Original Music Composer : Thomas Wanker, Still Photographer : Kerry Hayes, Sculptor : Lucie Fournier, Executive Producer : Kelly Van Horn, Matchmove Supervisor : Alia Agha, Sound Designer : Harry Cohen, Hairstylist : Kathryn Powell
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Schlagwörter: saving the world, library, cataclysm, climate change, greenhouse effect, tornado, twister, hurricane, hail, temperature drop, ice age, polar zone, meteorology, gulfstream, barrier ice, ice melting, third world, exodus, evacuation, climate, government, snow, los angeles, scientist, doomsday, antarctic, disaster movie,
The Day After Tomorrow (2004) Streaming-
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